My practice explores the dialogue between line, form, and colour.
I work by creating a variety of translations, emphasising the fluidity, rhythm, and energy of line through the medium of print. My initial starting point is observational drawing of natural forms; this is my primary mode of translation.
I allow myself to be guided by my thoughts, influenced by my everyday environment, and use my dreams, mixing, and settling with new ideas to move my art forward. Through the drawing process my hand is trained to move with the lines of nature, which is echoed throughout my work.
I then create abstract forms from these drawings.
I use the positive and the negative of the image equally, just like
I use both sides of the same piece of paper, yet
I remain conscious of the defining line.
I am interested in, and monopolise, the element of unpredictability within nature; sometimes adhering to the principles of geometry or distorting it.
I use lithography, monoprint and screenprint; exploring new techniques, whichever
I feel most appropriate, to absorb the viewer.
I use a range of scale with the aim of engaging and communicating with, not only the viewer’s eyes, but their whole body. In my work
I emphasise the relativity and individuality of the viewing experience.
I create harmonious combinations within my work, which is mainly achieved through my individualistic use of colour.
I layer different forms, use idiosyncratic mark making and colour combinations to create strong responses in the viewer.
I strive to maintain simplicity in my ideas and retain a fundamental sense of balance and purity within my compositions. Throughout my work there is an unspoken element, the viewer struggles for words, it is purely a visual experience.
I keep my translations pure, minimising the distractions of everyday noise surrounding us and
I invite the viewer to enter the same space
I create through my work.
